Sally Smart

Selected Solo Exhibitions                              










The Choreography of Cutting,  Postmasters Gallery, New York

Conversation:Endless Acts in Human History(Two Person Exhibition with Entang Wiharso)

Galeri Nasional Indonesia, Jakarta

The Choreography of Cutting, Purdy Hicks Gallery, London

The Pedagogical Puppet Greenaway Art Gallery, Adelaide, Australia

Choreographing Collage Breenspace Sydney, Australia

The Pedagogical Puppet Projects Contempoary Art Galleries, University of Connecticut, Storrs,USA

The Exquisite Pirate Purdy Hicks Gallery, London, UK

Flauberts Puppets, Postmasters Gallery, New York, USA


In Her Nature Breenspace, Sydney, Australia


Femmage Shadows and Symptoms McClelland Gallery + Sculpture Park, Langwarrin, Australia 


Decoy Nest Greenaway Art Gallery, Melbourne Australia


Performativities (Work On Paper), Amelia Johnson Contemporary, Hong Kong

The Exquisite Pirate (South China Sea) OV Gallery, Shanghai, China  


Performativities (Work On Paper), Block Projects, Melbourne, Australia.

The Exquisite Pirate Embassy of Australia, Washington DC, USA.
2oo8 Decoy Nest Block Projects, Melbourne, Australia.
2007 Decoy Nest Postmasters Gallery, New York, USA

The Exquisite Pirate (North Sea), Ter Caemer-Meert, Contemporary, Kortrijk, Belgium
The Exquisite Pirate (Oceania), Greenaway Art Gallery Adelaide

The Exquisite Pirate (China Sea),Amelia Johnson Contemporary, Hong Kong
  The Exquisite Pirate (Yawk, Yawk), 24HR Art, Northern Territory, Centre for Contemporary Art, Darwin
2006 The Exquisite Pirate, Postmasters Gallery, New York
2005 Painting in the Dark, Kaliman Gallery, Sydney
2004 A Week of Kindness, Greenaway Art Gallery, Adelaide
  Prototypes and Multiples, Kaliman Gallery, Sydney
2002 Shadow Farm, Bond University Gallery, Gold Coast
  Daughter Architect, Kaliman Gallery, Sydney
  Shadow Farm, Queensland University of Technology, Brisbane
  Design Therapy, Greenaway Art Gallery, Adelaide
2001 Shadow Farm, Bendigo Art Gallery, Bendigo
  Family Tree House, Galeria Barro Senna Sao Paulo, Brazil
  Femmage, Shadows and Symptoms, G2 Gallery Auckland New Zealand
  Parameters Head: Design Therapy, Robert Lindsay Gallery, Melbourne
2000 Shadow Farm, Wollongong City Gallery, Wollongong; and Monash Gallery of Art, Melbourne
  Parameters Head, Experimental Art Foundation, Adelaide
  Femmage (Shadows and Symptoms), Greenaway Art Gallery, Adelaide
  Arco 2000 Project Room, Greenaway Art Gallery, Arco 2000, Madrid, Spain
1999 Femmage Frieze, Robert Lindsay Gallery, Melbourne
  Femmage (Shadows and Symptoms), Fukuoka Art Museum, Fukuoka, Japan
1998 Femmage (Shadows and Symptoms), Robert Lindsay Gallery, Melbourne
1997 The Unhomely Body, Robert Lindsay Gallery, Melbourne
1996 Dora Drawer, Robert Lindsay Gallery, Melbourne
  The Unhomely Body, Contemporary Art Centre of South Australia, Adelaide
1995 Imaginary Anatomy, Australian Print Workshop, Melbourne.
  Itchy, Itchy, Robert Lindsay Gallery, Melbourne.
1994 Delicate Cutting, Robert Lindsay Gallery, Melbourne
  Where I come from the birds sing a pretty song, Latrobe Regional Gallery, Morwell, Victoria
1993 Where I come from the birds sing a pretty song, Geelong Art Gallery, Geelong
1992 Dress, Luba Bilu Gallery, Melbourne
  Cut-Outs, Monash University, Gippsland School of Visual Art, Churchill
1990-1991 The Large Darn, Luba Bilu Gallery, Melbourne

The Printed Curtain, Luba Bilu Gallery, Melbourne

X-Ray Vanitas, Luba Bilu Gallery, Melbourne
  Mad Woman in the Attic, 200 Gertrude Street, Melbourne

Roslyn Oxley9 Gallery, Sydney

Selected Group Exhibitions







2015     Art Stage Singapore 2015 Video Stage, Singapore

2014-15  Portrait in the Twenty-First Century, Postmasters Gallery, New York, USA

2014    The Brassington Affair, Tasmanian University Gallery, Hobart, Australia

2014-  Dark Heart 2014 Adelaide Biennial of Australian Art  Art Gallery of South Australia, Australia

Solitare TarraWarra Museum of Art, Healsville, Victoria Australia

Para-Real 601 ArtSpace Gallery, New York, NY, USA

2013 Community and Context  MADA Gallery, Monah University, Melbourne, Australia

Negotiating this World National Gallery of Victoria, Melbourne, Australia

2012 A Body Of Knowledge The Ian Potter Museum of Art, University of Melbourne, Australia

Feminage:the logic of feminist collage, The Cross Arts Projects, Sydney Australia

Australian Contemporary:Women, GOMA, Brisbane, Queensland

No-Name Station,  Gertrude Contemporary,Melbourne


The Devil had a Daughter, Monash University Museum of Art, Melbourne, Australia 

Artworks, Deutsche Bank Collection Exhibition, Frankfurt, Germany

Go Figure! Xstrata Kids and Teens exhibition  Perc Tucker Regional Gallery, Townsville Queensland 

Hello Dollies, Penrith Regional Gallery, NSW

Zhongjian: Midway Latrobe Gallery Regional Gallery, Morwell, Victoria, Australia

 Radical Drawings  Purdy Hicks Gallery, London, UK

Remix:Selections from the ICC, Samek Art Gallery, Bucknell, Pennsylvania USA

Your Move: Australian artists play chess
Anne and Gordon Samstag - Museum of Art, University of South Australia


Shifting Gaze, OV Gallery, Shanghai, China
Your Move: Australian artists play chess Bendigo Art Gallery, Bendigo, Victoria and Australian tour
Stick it! Collage in Australian art, NGVA (National Gallery of Victoria), Melbourne, Victoria
No-Name Station, Iberia Center for Contemporary Art, Beijing, China
Northern Winter, Heilongjiang International Festival of Arts and Culture, Harbin, China 
A Fairy’s Tail, Hawkesbury Regional Gallery, NSW, Australia
Zhongjian: Midway,  Tamworth Regional Gallery, NSW, Australia; Albury Art Gallery NSW,
Sh Contemporary, OV Gallery, Shanghai, China
The Garden at 4A.M. Gana Art Gallery, New York, USA
Zhongjian: Midway Beijing, Shanghai, Tianjin and Xiamen, China/and Wollongong City Gallery, Australia
Maritime: Ships, Pirates and Disasters Contemporary Art Galleries,University of Connecticut, Storrs, USA
Contemporary Prints and Drawings The Johnson Museum of Art Cornell University, Ithaca, New York
The Exquisite Pirate Gag Projects, Berlin, Germany
Treescape, National Gallery of Australia, Canberra

2007 New History, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York
  Float, Lake Macquarie City Art Gallery, NSW, Australia
2006 El Pirata Esquisito, Jacob Karpia Galeria Art Basel/ Miami Beach, Miami
  Segunda Primer Mundo, Jacob Karpia Galeria San,Jose Costa Rica
  The Exquisite Pirate, Herbert F. Johnson Museum of Art, Cornell University, Ithaca,NY
  Fantastic Voyages, Kaliman Gallery, Sydney
  Circa Puerto Rico '06, Greenaway Art Gallery, Puerto Rico
  Art Taipei 2006, Greenaway Art Gallery, Taipei, Taiwan
2006 Contemporary Commonwealth, The Ian Potter Centre: NGV Australia, Melbourne, Australia
2005 The Exquisite Pirate, Jogja Biennale, Yogyakarta, Indonesia
  Surface Charge, VCU arts Anderson Gallery, Richmond Virginia, USA
  Where the wild things are, UTS Gallery, Sydney
  Architypes, Canadian Embassy, Tokyo, Japan
  Painting in the Dark, Arco 2005, Greenaway Art Gallery, Madrid, Spain
2004 Architypes, (six international artists) Charles H. Scott Gallery, Vancouver, Canada;
Ivan Dougherty Gallery, Sydney
  Place made, National Gallery of Australia, Canberra
  Femmage, Arco 2004, International Art Fair /Greenaway Art Gallery Madrid, Spain
2003 see here now, The Vizard Foundation Art Collection of the 1990’s, Ian Potter Gallery, The University of Melbourne, Melbourne
  Fieldwork: Australian Art 1968–2002, The Ian Potter Centre: NGV Australia, Melbourne
2002 Crime Scenes, Monash Gallery of Art, Melbourne,
  Arid Arcadia: Art of the Flinders Ranges, Art Gallery of South Australia, Adelaide
  Tales of the unexpected: Aspects of Contemporary Australian Art,
National Gallery of Australia, Canberra
2001 Figure-It, University of Tasmania Plimsoll Gallery, Hobart
2000 National Works on Paper, Mornington Peninsula Regional Gallery, Victoria
  Celebrating the Exquisite Corpse, Bendigo Art Gallery, Bendigo
1999 Exploratory Behavior, National Gallery of Victoria, Melbourne
  Re-emplace, (Sally Smart and Suzann Victor) Earl Lu Gallery, Singapore;
  John Curtin Gallery, Curtin University, Perth
1998 Unhomely, Sonje Museum of Contemporary Art, Kyongju and Seoul, Korea
  Pusan International Contemporary Art Festival, Pusan, Korea
1996 Flagging the Republic, Sherman Galleries, Sydney, Australian tour
1995 The Moët and Chandon Touring Exhibition 1995, Australian tour.
  Recent Acquisitions: Deakin University Art Collection, Geelong Art Gallery, Geelong
  The Loti and Victor Smorgon Gift of Contemporary Australian Art,
  Museum of Contemporary Art, Sydney
1994 The Moët and Chandon Touring Exhibition 1994, Australian tour
  Skin, Contemporary Art Centre of South Australia, Adelaide
1992 Victorian College of the Arts 1991 Post Graduate Exhibition, Ian Potter Gallery, The University of Melbourne
  Moët and Chandon Touring Exhibition 1992, Australian tour
  Margaret Stewart Endowment, National Gallery of Victoria, Melbourne
1991 The Upside Down River, The Australia Gallery, New York City, USA
  Moët and Chandon Touring Exhibition 1991, Australian tour
  Selected Works from The University of Melbourne Art Collection,
  Deakin University Gallery, Geelong
1990 Selected Recent Acquisitions, National Gallery of Melbourne

Imaging Aids, Australian Centre of Contemporary Art/Linden Gallery, Melbourne

A Short Ride in a Fast Machine, 200 Gertrude Street, Melbourne



Awards and Professional 





2014 -13



Visual Arts Australia Council Grant

Australia Indonesia Institute

Asialink/Creative Victoria, artist residency Black Goat Studios/Antena Projects, Yogyakarta

Honorary Senior Research Fellow, School of Art, VCA, MCM, University of Melbourne

Board Member National Association for the Visual Arts (NAVA), Sydney

Australia Council Fellowship, Visual Arts Board, Australia Council, Sydney

2012 Sackler Fellow Artist-in-Residence, University of Connecticut, USA

Cultural Exchange Grant, Arts Victoria

Life Member, National Gallery of Victoria, Melbourne
Overseas Studio Residency (New York), Visual Arts Board, Australia Council, Sydney

2004 New Work Grant, Visual Arts/Craft Board, Australia Council, Sydney
  Export and Touring Grant, Arts Victoria, Melbourne
  Redlands Westpac Art Prize, Sydney
2001 Development Grant, Visual Arts/Craft Board, Australia Council, Sydney
2000 Export and Touring Grant, Arts Victoria, Melbourne
  National Works on Paper Acquisitive Prize, Mornington Peninsula Regional Gallery
1999 Overseas Studio Residency (London), Visual Arts/Craft Board, Australia Council, Sydney
  Arts 21 International Cultural Exchange Program Grant
1998 Women Artists Grant, Arts Victoria, Melbourne
  Victoria Cultural Development Grant, Arts Victoria, Melbourne
  City of Melbourne International Travel Grant, Arts Victoria, Melbourne

1991-90 Project Grant, Visual Arts/Craft Board, Australia Council, Sydney

ANZ Travelling Scholarship, Victorian College of the Arts, Melbourne


Fred Williams Family Prize, Victorian College of the Arts, Melbourne
  St Kilda Prize Acquisition, City of St Kilda
  Victorian College of the Arts Foundation Award, Melbourne

H.P. Gill Memorial Medal, Adelaide


National Gallery of Australia, Canberra;
National Gallery of Victoria, Melbourne;
The Art Gallery of South Australia, Adelaide;
Queensland Art Gallery, Brisbane;
University of Tasmania Collection;
Museum of Contemporary Art, Sydney;
Geelong Art Gallery, Geelong;
Latrobe Regional Gallery, Morwell;
The University of Melbourne Art Collection, Melbourne;
Deakin University Art Collection, Geelong;
Artbank, Sydney;
Victorian College of the Arts Foundation Collection, Melbourne;
City of St Kilda St Kilda;
John Sands Collection, Melbourne;
Charles Sturt University, Wagga Wagga;
Shell Australia Collection, Melbourne;
Sam and Minnie Smorgon Collection, Melbourne;
The Vizard Foundation Melbourne;
BP Australia;
The Walter and Eliza Hall Institute,Melbourne;
Queensland University of Technology, Brisbane;
Bendigo Art Gallery, Bendigo; Mornington Peninsula;
Regional Gallery, Benalla Art Gallery, Benalla;
Anne and Gordon Samstag - Museum of Art, University of South Australia;
Shepparton Art Gallery, Victoria  
Wollongong City Gallery, Wollongong;
Tarra Warra Museum of Art, Victoria;
Museum of New and Old Art, Tasmania;
Herbert F. Johnson Museum, Ithaca, NY;
USA British Museum, London, UK;
Ballard Institute and Museum of Puppetry, Storrs,USA;
The International Collage Center, Penn., USA;
Chartwell Collection, Auckland Art Gallery, Toi o Tamaki, Auckland, New Zealand
William Benton Museum of Art,Storrs CT.USA;
Deutsche Bank, Frankfurt,Germany.
Museum of New Zealand Te Papa Tongarewa, New Zealand;


Selected Bibliography

Sasha Grishin Australian Art: A History Melbourne University Publishing, 2014
John Neylon   Dark Heart review
Maria Tumarkin Dark Heart 2014 Adelaide Biennial of Australian Art  Catalogue Essay
Art Gallery of South Australia, Australia
Alistair Hicks The Global Art Compass New Directions in 21st Century Art, Thames and Hudson, London 2014
Ken Johnson  Para-Real Exhibition review New York Times, New York, January 9,2014
John Bell  The Pedagogical Puppet Projects Exh.,Cat.,The University of Connecticut, Storrs USA, 2013
Sonia Hartford Parisian Legacy of a Family Pioneer, The Age, Melbourne, June 15, 2013
Gina Fairley Sally Smart at Breenspace Asian Art News, Vol 23, No,3 May /June 2013
Sammy Preston  A Beautiful Mind- Sally Smart Breenspace, Broadsheet Sydney, 20 March 2013
Sharon Butler The Pedagogical Puppet : Sally Smart explores time based media
Two Coats of Paint, online New York, Nov 16 2012
Alexandra Djurichkovic Artist Interview:Sally Smart, Art Collector, 13 March, 2012
Anna Madeleine Sally Smart :The Pedadgogical Puppet Art Almanac, April, 2013
Edward Colless  Sally Smart ArtCollector Issue #63, 2012
Emma Mayall, Edited  Kelly Gelatly, 101 Contemporary Australian Artists (Sally Smart) Exh., Cat.
National Gallery Victoria, Melbourne, 2012
Michael Hawker A Cast of Dancers Exh.Cat., Australian Contemporary:Women, GOMA, Brisbane, 2012
Jenny Long A Body of Knowledge, Exh., Cat., University of Melbourne,Australia, 2012
Owen Craven Sally Smart  A Cut Above Artists Profile Magazine (cover) Issue 19, 2012
Paul Carey-Kent  New Places in June
Kirrily Hammond/Melissa Miles The Devil had a Daughter Exh.,cat.,MUMA, Monash University Melbourne, 2011
Robin Cemblestry  Spidey-sense, 4 June
Doug McClemont Top Ten shows in New York June 2011, Saatchi Online Magazine 2011
Maria Tumarkin In Her Nature,, Breenspace, Sydney 2011
Emily Cormack  Femmage Shadows and Symptoms  Exh.,cat., McClelland Gallery, Langwarrin, 2010
Melissa Miles  Decoy Nest,, Greenaway Art Gallery, Adelaide, 2010
Emily Cormack Where I work  Art&Asia Pacific Vol.69 July/August New York, 2010
Rebecca Catching, Jason Smith and Melissa Miles The Exquisite Pirate, OV Gallery, Shanghai
Chris Moore The Exquisite Pirate online review
Zang Zang Artists are like Pirates Online interview webcast

Jin Sha Zhongjian : Midway Exh.Cat. Wollongong City Gallery

Tyler Coburn Decoy Strategies Decoy Nest online review September 2008

Sally Smart Artist text Exh.,cat.Amelia Johnson Contemporary Hong Kong 2008

Melissa Miles The Exquisite Pirate,Kaliman Gallery Sydney 2007

Susan McCulloch McCulloch’s Encyclopedia of Australian Art Melbourne 2007

Tracy Adler New History, Exh.,Cat., The Bertha and Karl Leubsdorf Art Gallery Hunter College, New York, 2007

Melissa Miles The Exquisite Pirate Exh.Cat.,Kaliman Gallery Sydney 2007

John Nadador Segunda Primer Mundo Exh., Cat.,Jacob Karpia Galeria San,Jose Costa Rica, 2006

Andrew Maekle One to Watch Artkrush Issue #35, 2006 New York, USA

Andrea Inselmann Dangerous Waters, Exh.,cat., Herbert F. Johnson Muiseum, Ithaca, NY,2006

Eleanor Heartney The Exquisite Pirate, Postmasters, exhibition review, Art in America, June /July 2006, New York

AnneMarie Kiely The Exquisite Pirate Belle Magazine December/January 2006

Melissa Miles The Exquisite Pirate, Eyeline, Melbourne July 2006

Lou Chamberlin Art in Sight 2nd Ed., McGrawHill, Melbourne 2006

Ted Colless Essays on Anachronism, The Australian, Sydney 2006

Robert Nelson New Paths on the Old Map, The Age, Melbourne , Mar 11 2006

Jerry Saltz Shipping The Village Voice New York, New York 2006

Wendy Walker Sea Change for Rebels, The Australian, Sydney, May 11 2006

Jason Smith 2006 Contemporary Commonwealth, ex.,cat., NGV, Melbourne 2006

Dinah Ryan Surface Charge Exh.Review Sculpture,, Vol.5 June 2006 Washington USA

Sabine Russ and Gregory Volk, Surface Charge ex., cat VCU arts Anderson Gallery, Richmond Virginia, USA 2005.

Pete Hume, ‘The Arts on the wall’ Richmond Times – Despatch September 23, Virginia 2005.

Murata Yuko Architypes, Real Tokyo, Japan, 2005.

Sebastian Smee, The Shapes of Private Memories, The Australian, March 17, Sydney 2005.

Sally Smart Family Tree House magazine, Madrid Spain 2004.

Deborah Hart Daughter Architect, Art and Australia, Vol. 42, Summer 2004.

Felicity Fenner A Week of Kindness ex., cat Greenaway Art Gallery, Adelaide 2004.

Felicity Fenner Architypes ex.,cat, Charles H. Scott Gallery, Vancouver, Canada 2004.

Georgina Safe A passion to represent The Australian /Feature/Feb 7 2004.

Penny Webb Darkness and Day, The Age, September 24, 2003, Melbourne.

Chris McAuliffe see here now Vizard Foundation Art Collection of the 1990’s,The University of Melbourne, Melbourne 2003.

Cynthia Wild Conversation Piece Meanjin June Melbourne 2003.

Anna Gray (Editor) Australian Art in the National Gallery of Australia , Canberra 2002.

Deborah Hart Tales of the Unexpected;Aspects of contemporary Australian Art ex., cat
National Gallery of Australia, Canberra 2002.

Sasha Grishin Flights of fantasy into an alternative reality Canberra Times, Canberra July 2002.

Deborah Hart Art on view National Gallery of Australia Canberra 2002.

Alisa Bunbury Arid Arcadia: Art of the Flinders Ranges, Art Gallery of South Australia, Adelaide 2002.

Erin O’Dwyer Tragic Edge to Farm Images The Courier Mail Brisbane 5 July 2002.

John Neylon Disruptive The Adelaide Review, Adelaide May 2002.

Wendy Walker Skirting around with designs The Advertiser, Adelaide May 13 2002.

Christopher Marshall Interpreting Art Macmillian Melbourne 2001.

Megan Backhouse Pointedly poignant pin-ups The Age, Melbourne, Mar 5 2001.

Karen Ward You must go beyond the obvious Bendigo Advertiser Oct 13 2001.

Maria Kunda Shadow Farm (exhibition catalogue) Bendigo Art Gallery 2000.

Camila Molina Brasil e Australia na Baro Senna O Estado De S. Paulo, Sao Paulo, Brazil, 28 Jul 2001.

Rodrigo Moura Sally Smart retira imagens da sombra Folha Sao Paulo Brazil Jul 26 2001.

AnneMarie Kiely Smart Art Belle Magazine March 2001.

Peter Timms Parameters Head:Design Therapy, The Age, Melbourne Mar 14 2001.

Maria Kunda Riddles ex., cat Tasmanian School of Art 2001.

Helen McDonald Erotic Ambiguities Routledge London 2001Helen McDonald, Erotic Ambiguity, Routledge, London, 2000.

Stephanie Radok, “Parameters Head: A la Ronde Artlink Vol20 #4 December 2000.

John Neylon, “Haunting of the EAF” The Adelaide Review October 2000.

Christopher Chapman, “Four Scenes” Parameters Head:A La Ronde ex., cat Experimental Art Foundation, Adelaide, 2000.

Marcus Baumgart, Parameters Head:A La Ronde (exhibition catalogue) 2000.

Wendy Walker, “Layers of Modernism” , The Advertiser, Adelaide, April 2000.

Rachel Kent, “Family Tree House” (exhibition catalogue) Arco 2000, Project Room, 2000.

Sasha Grishin, “Australian Painting Now “ Edited by Laura Murray Cree and Nevill Drury, Craftsman House,Sydney 2000.

Lara Travis, “Re-emplace” (exhibition catalogue), Earl Lu Gallery, Singapore, 1999.

Binghui Huangfu, “Re-emplace” (exhibition catalogue), Earl Lu Gallery, Singapore, 1999.

Rachel Kent, “Disturbing Narratives: Sally Smart’s Femmage (Shadows and Symptoms)”Exh.,cat., Melbourne 1999.

Jenny Zimmer, “Anatomy of a young artist: Sally Smart”, State of the Arts, Victoria 1998-99.

Robert Rooney, “Smart’s Art Foxes Clever’, The Australian, 9 October 1998.

Anna Clabburn, “Installation Success”, The Age, 30 September 1998.

Kim Mi - hui, “Conceptions of Home Altered in Unhomely” Korean Times 7/8/1998.

Jason Smith, Unhomely, Exhibition Catalogue, Artsonje Museum Kyongju and Seoul, Korea, 1998.

Anna Clabburn, ‘Sally Smart’s Mind Games’ Australian Art Collector No. 3, 1998, p46–49.

Kirsty Grant, “Commission 200 Insects” National Gallery Victoria Magazine June/July 1998.

Adrian Montana, Geelong Art Gallery, Education Kit, 1997.

Donald Williams and Colin Simpson “Art Now Contemporary Art Post – 1970 “McGrawHill, 1996.

Sally Smart, ‘Dora Drawer’ exhibition catalogue, Robert Lindsay Gallery, Melbourne, 1996.

Charles Green, Exhibition Review, ‘Itchy Itchy’, Art Forum, New York, USA May 1996.

Helen McDonald, ‘Feminising the Surreal’ Art and Australia Vol 34, 1996.

Robyn McKenzie, ‘In reality, there’s no place like home’, The Age, Melbourne, 24 September 1997.

Jenny Zimmer, ‘Sally Smart: Prosthetic Parts’, Imprint, Melbourne, Autumn 1996, vol 31, no 1, p.7–8.

Stephanie Radok, ‘Furniture and the body’, The Adelaide Review, Adelaide, May 1996. (p. 28).

Helen McDonald, The Unhomely Body, Contemporary Art Centre of South Australia, Adelaide, 1996.

Helen McDonald, ‘Feminism and the Republic’, Vox Reipublicae (eds J Hoorn and DGoodman) 1996.

Anna Clabburn, ‘Sally Smart:Itchy Itchy’ Asian Art News, Hong Kong, Nov/Dec 1995, p.71

Robert Lindsay, The Shell Collection of Contemporary Australian Art, Melbourne 1995.

Jenny Zimmer, Cut-Outs, Craft Victoria, Winter 1995.

Jenny Zimmer, ‘Metaphor in Body Parts’, The Age, Melbourne, 17 May 1995.

Peter Timms, The Moët and Chandon Touring Exhibition, (exhibition catalogue), Melbourne, 1995.

Janine Burke, Anima: Feminist art since the seventies, Art and Australia, vol.23/Autumn 1995, FineArts Press, Sydney, 1995

Sasha Grishin, Searching for Clues for Interpretation, The Canberra Times, 1994.

Amanda King,A secret garden: the work of Sally Smart, Aust Art Monthly, Nov,No.75, Canberra, 1994, (cover illustration).

Amanda King, Delicate Cutting, (exhibition catalogue), Robert Lindsay Gallery, Melbourne, 1994.

Peter Timms, The Moët and Chandon Touring Exhibition 1994, (Exhibition catalogue), Melbourne1994.

Helen McDonald, ‘Where I come from the birds sing a pretty song’, (Exh.,catalogue), Geelong Art GalleryGeelong, 1992.

Amanda King, ‘Sally Smart: Dress’, Agenda, Melbourne, January-February, 1993.

Rebecca Lancashire, ‘Intent on unravelling our patchworked past’, exhibition review, The Age, Melbourne, June 1992.

Christopher Heathcote, exhibition review, The Age, Melbourne, June, 1992.

Helen McDonald, Dress, (exhibition catalogue), Luba Bilu Gallery, Melbourne, 1992.

Alison Carroll, The Moët and Chandon Touring Exhibition 1992, (exhibition catalogue), Melbourne, 1992.

Ray Edgar, ‘Dress’, exhibition review, The Melbourne Times, Melbourne, June 1992.

Jude Adams, ‘Skin’, exhibition review, Artlink, Vol 12, Adelaide, 1992.

Jyanni Steffensen, Skin, (exhibition catalogue), Contemporary Art Centre of South Australia, Adelaide,1992.

Women’s Resource Centre, Nonagon, Nine Australian Women Artists, slide kit, Melbourne 1991.

Alison Carroll, The Moët and Chandon Touring Exhibition 1991, (exhibition catalogue), Melbourne 1991.

Helen Topliss, ‘Contemporary Issues: Moët and Chandon’, Art and Australia, Fine Arts Press, Sydney, Spring 1990.

Graeme Sturgeon, ‘Art: Six names to watch’, Australian Collectors Monthly, Sydney, November-December 1990.

Peter Hennessey and Patricia Piccinini, Sally Smart: The Printed Curtain, (exhibition catalogue),1990

Christopher Coventry, X-Ray Vanitas, (exhibition catalogue), Luba Bila Gallery, Melbourne,